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Agya KOO NIMO and his ADADAM
AGOFOMMA (back to the Roots Ensemble)
Palmwine Guitar Music from
Ghana
KOO NIMO'S music is a pulsating mix of melodious
and intoxicating guitar patterns, harmonious vocals, and mesmerizing
percussion. It brings to life the meaning of the Sankofa image, a symbolic bird
of the Asante people of Ghana, looking backwards with one foot forward to the
future. Elegantly draped in the traditional Akan cloth, Koo Nimo sings lyrics
infused with Asante wisdom, peppered with the proverbs that are so essential to
a West African audience. Koo Nimo has been performing for over 40 years, was
president of the Ghana musicians union for 10 years, and received the Grand
Medal for Lifetime Service to Ghana from the head of state. He has been an
inspiration to younger generations of Ghanaian musicians through the force of
his personality and creative musicality. He is joined on this CD by Osei Kwame with his modern interpretations of the
pre-colonial praise singing tradition with seperewa (6- to 14- stringed
harp-lute) accompaniment. This CD is Koo Nimo's first release in almost 25
years of the traditional Palmwine music for which
he has become so well-loved. (Adapted from program notes by Professors Andrew
Kaye and Cynthia Schmidt.)
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PALMWINE MUSIC developed as an distinctive musical
style in Ghana beginning in the 1920s and 30s, and is named for the local brew
often consumed liberally during its performance and appreciation. Koo Nimo's
style features the modern guitar, but includes a traditional Highlife rhythm
section (bells, hand drums, and "rhumba box" or 3-keyed bass sanza). The songs
are sung mostly in the Twi language of the Asante (Ashanti) ethnic group, but
Koo Nimo is fond of throwing in English phrases and quotations as well, from
which one can get a sense of the Twi commentary.
The SEPEREWA is
the Ghanaian (specifically Akan) version of a harp-like instrument found in
many West African cultures. It has traditionally 6 strings (Osei's, which he
made himself, has 14), and is played by plucking with thumbs and forefingers,
The seperewa was described by European visitors to the Asante royal courts as
early as the 17th century, where it was played as an accompaniment to praise
songs and oral histories. OSEI KWAME is one
of the leading exponents of this instrument today, and is Seperewa Instructor
at the University of Ghana at Legon. Osei's grandfather helped to reintroduce
the seperewa to Ghanaian popular culture in the 1920's, and taught Osei many of
the traditional songs he now performs. |
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Copyright © HumanSongs Records |
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